I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded.
Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).
Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.
This amazing novel gets right inside the mind of Hadrian, a great emperor who ruled wisely over Rome’s Golden Age. In public, a statesman and soldier, in private he was thoughtful, cultured, and philosophical. He tells us much about his life, and about the empire he ruled. He is both credulous and sceptical, indifferent to and curious about pleasure, both eager and reluctant to rule. He muses about power, war, the arts, love, friendship, and much else. Perhaps the most moving episode is Hadrian’s grief at the death of Antinous, his beautiful young boyfriend, who he later deified.
This memoir, in contemplative, narrative form, is utterly believable, and reminds us that the inner life is as important, and as interesting, as events and actions.
Framed as a letter from the Roman Emperor Hadrian to his successor, Marcus Aurelius, Marguerite Yourcenar's Memoirs of Hadrian is translated from the French by Grace Frick with an introduction by Paul Bailey in Penguin Modern Classics.
In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful…
Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.
I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.
Augustus was the founder of the Roman Empire, adopted son of Julius Caesar, friend and later foe of Mark Antony, patron of Horace and Virgil. Frank and forceful, this putative autobiography tells his story from the assassination of Caesar, through his military, political and personal struggles to his final days as Emperor in everything but name.
The memoirs of Hasan al-Wazzan, merchant and traveller. Born in the last years of Moslem Spain, exiled to Morocco, he wandered the Mediterranean world, and beyond, encountering sultans, slaves, bandits, fortune tellers, pirates, madmen, scholars, ambassadors, kings, emperors, and popes. In Rome, he was baptised as Leo, then taught and studied, writing several books about Africa and Islam, before returning to Morocco.
This novel reminds us of the complexities of culture, language, and religion in a tumultuous, war-torn world, not unlike our own. It is also a very good read.
From his chlidhood in Fez, having fled the Christian Inquisition, through his many journeys to the East as an itinerant merhcant, Hasans story is a quixotic catalogue of pirates, slave girls and princesses, encompassing the complexities of a world in a state of religious flux. Hasan too is touched by the instability of the era, performing his hadj to Mecca, then converting to Christianity, only to relapse back to the Muslim faith later in life. In re-creating his extraordinary experiences, Amin Maalouf sketches an irrisistible portrait of the Mediterranea world as it was nearly five centuries ago - the fall…
A surreal picaresque, apparently narrated by the ghost of Columbus, who knows exactly how posterity has treated him and sets out to tell the ‘true’ story of his life and adventures. Written in a lively, vernacular style, full of jokes, arguments, boasts, anachronisms, score-settling, and shifts of tone and genre, it is a thoroughly enjoyable read.
This book tests the limits of the memoir, and shows that historical novels can be great fun, and don’t always have to respect their sources.
In this novel, Christopher Columbus tells the story of his life and recalls the first fateful love of his youth, thoughts on his Portuguese wife, his Spanish mistress, and Queen Isabella, and his discovery of the New World
Thomas Deerham has survived the Hundred Years War and the Fall of Constantinople, but is trapped in Rome, serving the Pope. Trying to get back to England, he falls in with vagabond-poet François Villon, whose expertise in theft and trickery fails to save them from starvation. Desperate, they join forces with the aged mystic, Christian Rosenkreutz. Armed with a stolen map and esoteric knowledge culled from antique books, the three set off on a search for Paradise.
Through Thomas’s eyes, we see the decadence of Rome, the squalor of Paris, the confusion of war-torn England, the torments of thwarted desire, the folly of scholars, the miseries of a sea voyage, and the strangeness of an unsuspected new world. But, has he reached Paradise?
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway.
Beyond enduring the Arctic winter’s twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold, as well as Astrid’s unexpected pregnancy.
The Last Whaler is an elegiac meditation on the will to survive under extreme conditions. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway. Beyond enduring the Arctic winter's twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold as well as Astrid's unexpected pregnancy. The Last Whaler concerns the impact of…
